I don’t want to read all this – just give me the answer! That said, any errors in here are entirely my own and I’ll happily be corrected and informed by more learned opinions, in the comments. In putting this post together the excellent content created by the three professional colorists behind (Robbie Carman, Patrick Inhofer and Dan Moran) was instrumental to defining my answers to much of this, as well as some key insights from Michael Kammes and his 5 Things Web series and Samuel Bilodeau of. When I’m researching something like this I prefer to hear from professionals who demonstrate that they know what they’re talking about – both in theory and real world applications. Of course, the kind of work you’re doing and the resources you have at your disposal will somewhat dictate how far down the rabbit hole you need/want/can go. If you’re wrestling with some of these questions too, then hopefully I can provide some answers, or at least an interesting technical read.Īs I wrote this post I soon discovered that when you really dig into colour management it’s one of those technical rabbit holes that some people love (people who comment in forums) and some people don’t have time for (getting into the depths of nuance).
How should you be managing your colour pipeline for the challenging multi-screen viewing environment of today? If you’re an editor looking to colour grade your own projects what are some of the technical things you should be aware of, to ensure your images look as good, and as consistent as they can? How do I correctly colour grade for internet delivery?.
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